Photography
has long been my hobby – I used to take hundreds of photos at a time, even in
the film era (what’s film? The kids
sometimes ask.). Once things went
digital, I would take thousands. At
first, I would mostly shoot landscapes – probably because I was shooting with a
manual-focus, manual-metered camera and landscapes don’t tend to move all that
much. For the most part, I stayed away
from people pictures much for this reason.
The best ones are candid, un-posed, and I simply couldn’t focus and
meter fast enough to catch an unscripted expression worthy of an exposure. Once I entered the autofocus, auto-metering,
digital era, taking good photographs of people became much more feasible.
And so
I did – lots of them – especially on mission projects. There were so many memories I wished to
crystallize – unique faces bearing the full range of human emotion and
experience, and largely without the option or even the propensity to conceal
themselves with makeup or even contrived expressions. Every eye, every wrinkle seemed to tell a
story, the ethos of which I might capture if I took a picture or ten. I would look back at these often, even
hanging some on my walls at home. Often,
they would release a flood of memories, indistinct and mostly visceral, of the
emotions, even the smells I had encountered.
The pictures I took appeared to be serving their purpose.
After a
few more projects, I noticed that I was taking fewer and fewer pictures. I would get home and have a chance to page
through them and would find myself disappointed – where were those faces so
worthy of a LIFE magazine cover? How was
I to remember? I even found myself
swallowing my photographic pride and emailing other trip participants to get
copies of the pictures they had taken.
Why was
this happening? The reason is likely
multifactorial. At a very simple level,
my hands were always busy doing something else.
My mind was also distracted by all the other small tasks that needed to
be done to keep a project moving. I had little
down-time to seek out the perfect shot. I was also going places for the second and
third time – the newness was waning and with it my shutterbug tendencies.
There
were other reasons as well – I would discover, trip after less-photographed
trip, that the quality of my memories was not fading as I had feared. In fact, they were improving in ways. Faces were replaced by people. Story-laden wrinkles gave way to actual
stories. No longer a camera between us,
the nature of my interactions with people deepened.
Psychologists
refer to the Hawthorne effect – “a form of reactivity in which subjects modify an aspect of their
behavior in response to the fact that they know that they are being studied.” I’m sure you’ve seen it – smiles become
forced, tears are not allowed to linger, and unacceptable emotions find a place
to hide until the shutter snaps. In
short, the process of taking the photograph changes what is being photographed,
sometimes completely eliminating it.
Sure, the person is still there, but the moment one had hoped to capture
is gone without a trace. The memory
preserved is a shiny, plastic replica while the genuine article has begun to
fade.
There were many
snapshots I had hoped to take on this project, but didn’t.
-
The
forlorn, lonely face of our young, pregnant patient before her appendectomy.
-
The
abject fear of a toddler being taken to the OR, to be sequentially replaced by
exhaustion, resignation, trust, and calm as he is sung to sleep by the anthesia
crew.
-
The
hilarious and uninhibited grin of a man under mild sedation as he tried to
teach us Spanish during his hernia repair.
-
The collective
smiles and laughter of a sweaty ward of inpatients as they suffer through our
Spanglish.
-
The
tired yet willing faces of the OR instrument crew as they agreed to stay late “uno
mas” time on behalf of a suffering patient.
-
The
exhausted, yet satisfied repose of our Bolivian and North American volunteers
as they sacrificed sleep and comfort to do what God called them to do, some for
the first time in this capacity.
I didn’t take these snapshots, or maybe I did. Much thanks to all of you who have helped in
any way to make these memories.
Hopefully you’ve shared in them to some extent through the blog. Better yet, consider coming along
sometime. Bring your camera, but don’t
use it too much.
Now the project is over, and I’m a tourist this week. Let the cameras roll and the shutters fly.
-Matt
=)
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